cafenowhere: a clear purple liquid in an ornate blue and white teacup on matching saucer (psychedelic tea)
I posted this on my Patreon last month, and now that it's available to read for everyone, I thought I'd post it here too. 

CW for brief mention, near the end, of long-past suicidality

 

Last week my ageing werewolf poem “Dodging the Bullet” appeared at Small Wonders. This poem is a companion piece to “Through the Keyhole”, which appeared in the Nov/Dec 2023 issue of The Magazine of Fantasy and Science Fiction.

“Through the Keyhole” is the more traditional werewolf poem, focusing on the body horror of transformation, with the modern twist that, with mighty effort, one can control the transformation back to human so that one’s body better suits one’s identity. “Dodging the Bullet” challenges the mythos of the angsty werewolf doomed to a tragic death. I wrote it thinking about people who were convinced they’d die young, but then did not. These people live with such gratitude and sweet surprise, savoring milestones they never expected to see. I wanted to capture their sense of wonder.

Both poems have their genesis in a trip to Denver for the Sirens Conference (may it soon return!). I wrote “Through the Keyhole” while waiting in the Denver airport for my ride to the hotel. I drafted “Dodging the Bullet” at the hotel bar that night. I ended up scrapping most of my notes for it, substantially revising it when I got home, but the core idea was there. I don’t know why I had werewolves on the brain at the time. These poems are completely unrelated to the werewolf novel I wrote many years ago. I was listening to the audiobook Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith at the time. So maybe I was thinking about the lockstep of evolution and how to pry from it a modicum of self-actualization, how we can deviate from programming and write our own endings.

The phrase “to see two human looks away” is something I’ve been carrying around for over 20 years, since I first researched my werewolf novel. Unfortunately, I can’t find the index cards I used for that research, so I don’t know the provenance. I think the saying may have been attributed to Native Americans, but folks have been known to put their words into other people’s mouths to sound wise, so that’s not helpful. I don’t know if wolves can actually see twice as far as humans. They have a wider field of vision and can see more on the horizon without moving their heads. They can also detect more shades of gray than humans can. Consensus seems to be that wolves can see faster than us, if not farther. But I’d been holding onto “two human looks away” for decades, so I was damn well going to use it.

“Dodging the Bullet” may be my version of “Sometimes” by Sheenagh Pugh, a poem that acknowledges, “Hey, maybe things aren’t always terrible, maybe sometimes it all works out.” For me, realizing how often things go right is a privilege of ageing. In youth I could be callow and pessimistic, maybe because I didn’t really believe I was destructible, no matter how harsh the universe or suicidal my ideation. But the longer I live this fragile life, the more I see, far more often than seems statistically likely, the happy endings. As Pugh writes, “may it happen for you.”

cafenowhere: an orange neon sign shaped like a sunburst and reading "cafe" (neon sign cafe)
Apologies to those who have already seen this update on Bluesky, but I'm super psyched to announce my poetry debut in The Magazine of Fantasy and Science Fiction. My poem "Through the Keyhole" is about a werewolf who figures out how to use their transformational powers to be their best self. Look for the November/December 2023 issue on newsstands or where you buy magazines; I don't think you can purchase one issue online.

CORRECTION: You can buy a single issue of F&SF (epub, mobi or PDF) from Weightless Books. Thanks to Gwynne for pointing that out.


cafenowhere: filled coffee cup surrounded by coffee beans and packets of sugar labeled WTF (Default)

This weekend José and I attended a progressive poetry reading. It’s kind of like a bar crawl, but instead of bars, you move from one poetry reading to the next. The readings were held outside a neighborhood bakery, on someone’s front lawn, in a backyard, and the like. I was delighted when one poet read a poem published by Strange Horizons. I must have yipped or gasped audibly because the poet smiled and said, “Yes, we love Strange Horizons.” It’s always a surprise when my literary circle and SFF circle overlap.

It was a little chilly to be sitting outside, so J and I only went to three of the spots. We made sure to attend the reading where a colleague of J’s was a participant. That colleague tends to write speculative poetry but I think he exclusively submits to literary markets. In any case, he read a newer piece he’d told us about at a Latinx Council dinner. It was about a scorpion that wanted to marry a shoe. Another poet shared a piece about wanting to hold a goose, which had a response delivered by her boyfriend, that demanded the goose back off, he wouldn’t let a bird steal his girlfriend. It’s unfortunate the third poet didn’t continue the animal theme.

Last week, I watched Infinity Pool, directed by Brandon Cronenberg. I was disappointed. The premise is an interesting one: what if you could create a doppelganger of yourself that would take the punishments, endure the consequences, of your bad actions? Unfortunately, the only sane character quickly exits the experiment, leaving you no one to root for. Also, the protagonist’s devolution includes drug use, which led to too many “trippy” scenes of sensory distortion and sexual antics/fantasies. They were so tedious. I think Brandon Cronenberg’s made three films. Antiviral left me cold, but I really liked Possessor. Now this. I guess his work is hit-or-miss for me.

Right now I’m reading Shiny Things: Reflective Surfaces and Their Mixed Meanings. It is fascinating. The authors discuss how shininess can indicate wealth, power, and transcendence or it can signal that something is cheap, ubiquitous, and tacky. Shininess is disruptive, because it dematerializes the surface of a thing so we stop looking at it and begin looking into it. There’s a whole section devoted to Dutch Golden Age art and the worshipful (fetishistic) representation of various forms of shine. The section I just finished reading talks about how smudges, though common on shiny objects, are rarely if ever portrayed in art (big, if true) and just how hard it is to depict a smudge as intentional. “The central issue of depiction is that a smudge on a shiny surface is a disruption on an already disrupted form.” I love thinking about this stuff.  

What did you do this weekend? Seen any good movies recently?


cafenowhere: blue grey mittens wrapped around a steaming cup of black coffee (mittens and mug)
This weekend it snowed, and because I'm generally a fan of winter behaving like winter, I was pleased--doubly so when I didn't have to go out into the cold myself. J ferried Ash back and forth from friends' homes and, though he wanted us to get food delivered, he ended up doing carry out because it was so much faster.

I binge watched American Horror Story on Hulu. I finished watching season 11, NYC, which is set (mostly) in 1981 and deals with HIV/AIDS. Then I realized I never watched season 10, so I ploughed through that, which is a double feature, the first half a modern tale revolving around drug-induced vampirism and the latter half being (mostly) Eisenhower-era alien hijinks. Both season 11 and the alien half of season 10 included a lot of chronology hopping that I found unnecessary, but I think it's passé to tell a story in linear order these days. I think the only season of AHS I haven't watched is the fifth season, Hotel. That's mostly because of the extended rape scene in the first episode. After AHS, I gave Scream Queens a try, but after three or four episodes, I'm very meh about it. The comedy feels forced and I'm not sure it's really comedy when the protagonists say awful racist, homophobic, fatphobic things. I imagine it's all supposed to be "ironic" but I'm not in the mood (ever).

I also read a poetry collection over the weekend, and now I'm re-reading it: Tethered to Stars by Fady Joudah. I'm going over it again because I felt like I hadn't understood the poems enough to connect to them. Upon a second read (which is really third or fourth, because I read a poem more than once as I work through a collection), I'm understanding more but still not connecting that often. It's a bit disappointing, but I read A LOT of poetry these days and not everything can click for me.

What did you do this weekend?

cafenowhere: blue grey mittens wrapped around a steaming cup of black coffee (mittens and mug)
It snowed about four inches over last night and this morning. At about 4pm I went outside to shovel the porch and sidewalks. In a "never tell me the odds" moment, I flung myself outside without checking the temperature. In the first ten minutes, I thought I might have a heart attack--thanks, Covid!--but I persevered at a measured pace and got the job done. Not well, mind you, just done. JJ came out to clear the driveway and urged me to go back inside, but I hung around the garage, out of the wind, and watched him work in case *he* had a heart attack. He had to take a break inside because he couldn't feel his fingers or nose. After we were done, I checked the temperature and it was -11F. Add in the wind chill and it was -35F. I'm glad I didn't know while I was outside, or I never would've made it.

Yesterday and today I worked on a poem recommendation for my Patreon. Yesterday I was really dissatisfied with it and frowny-faced because it was over 1000 words, whereas I usually aim for 500-750 words. Today I pared down my purview and sharpened my analysis. It's still over 1000 words, but now I feel like my recommendation does the poem justice. It's not going to appear until January 6, because I'm taking a two-week break over the holidays.

I also worked on the novel today. I keep picking at a particular flashback scene that isn't cohering as I'd like. It really irks me to be having so much trouble with it, because it's all old material (from a trunked novel), just refashioned. At least I added about 500 words of new dialogue before I returned to the flashback scene. My new planner has plenty of room for notes each day, so instead of simply recording the word count, I've been including a note about what I did. Like, I unraveled a plot knot or I revised the flashback, etc. This helps me realize how much I've accomplished even if the word count doesn't change much. Before, I was a little paranoid that I was entering a new writer's block if I didn't make a certain number of words per day. Now I have some evidence to the contrary.

Tomorrow we're supposed to be under blizzard conditions. Not much new accumulation, just a lot of wind blowing the snow around and frigid temperatures. We might get up to 0F!


 
cafenowhere: a clear purple liquid in an ornate blue and white teacup on matching saucer (psychedelic tea)
My first editing shift for Strange Horizons was in September, and the first of my selections went live yesterday: "Statue of David with Top Surgery Scars" by Devin S. Turk. This poem was pretty much an instabuy. I loved it the first time I read it and I still love it for the way it makes me rethink the statue of David and the story of David and Goliath. How different would history and culture be if David, the statue or the character, was trans? It also makes me wonder about the untouchability of sculpture in museums and how that untouchability transfers to the subject of the sculpture. And can we truly understand a work if we can't touch it? What if we can't see ourselves in it? In addition to all the questions it awakens, this poem has a sense of humor. I delight every time in the image of the "I" of the poem ducking under the velvet ropes, armed with a bottle of nail polish. I feel very lucky to have been the acquiring editor of this poem.
 

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